Pre-posición investigates the pause as a possibility of relationship and movement. On these explorations, prepositions become the intermediate point that establishes an invariable relationship of dependence between two elements: flow and stillness, performer and spectator, object and subject.

 

In Pre-posición (2019), a piece of synthetic grass becomes the radial point from which a body moves slowly between positions, positioning itself, passing through, and relating to a surface that is molded but lacks movement in itself. 

 

This iteration of Pre-posición was performed in 2019 at the Judson Memorial Church in New York City as part of Movement Research at the Judson Church, and was supported by the State Ministry of Culture of Michoacán.

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